Lens

A high-performance all-arounder, the Sony FE 28-70mm f/2 GM is a faster standard zoom compared to conventional f/2.8 options. This lens is Sony’s first GM zoom with a constant f/2 maximum aperture and spans a useful wide-angle to portrait-length range—it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs

A unique zoom covering ultra-wide to short portrait-length fields of view, the Panasonic Lumix S 20-60mm f/3.5-5.6 is a sleek and versatile lens designed for full-frame L-mount mirrorless cameras. The distinct range of focal lengths is also complemented by flexible focusing capabilities, which permit working with subjects as close as 5.9″ with a 0.43x magnification for near-macro performance. In terms of optics, the lens incorporates a series of aspherical, high refractive index, and low dispersion elements to control a variety of aberrations and realize a high degree of clarity and sharpness. A fluorine coating has been applied to the front element to reduce smudging and make it easier to clean and then lens also features a weather-sealed design for working in harsh environmental conditions. Additionally, suiting both photo and video applications, a stepping motor is featured, which affords fast, precise, and near-silent autofocus performance.

Designed for full-frame L-mount mirrorless cameras, the Panasonic Lumix S 35mm f/1.8 Lens is a sleek and versatile wide-angle prime that features a similar angle of view to what you see with your naked eye. With a minimum focusing distance of just 9.5″, it is well-suited for natural-looking close-up shots. Its 35mm focal length is ideal for snapshots, street scenes, landscapes, and all-purpose shooting, and the lens provides a modestly bright f/1.8 maximum aperture for shallow depth of field control and beautiful bokeh.

Developed to be the workhorse for events, portraiture, and other mid-length subjects, the Panasonic Lumix S PRO 70-200mm f/2.8 O.I.S. is an L-mount telephoto zoom characterized by a bright f/2.8 constant maximum aperture and sophisticated optical and focusing performance. The optics layout incorporates several aspherical and low dispersion elements in order to minimize chromatic and spherical aberrations throughout the zoom range for higher clarity, sharpness, and accurate rendering. Complementing the optics is a unique double focus system, which utilizes both a linear motor and a stepping motor, to provide especially fast and precise focusing performance. A focus clutch also enables especially quick switching between AF and MF settings for fine-tuned control. Additionally, an Optical Image Stabilizer reduces the effects of camera shake for sharper handheld shooting and the lens sports a weather-sealed design for use in harsh conditions.

Covering a versatile wide-angle focal length range, the RF 15-35mm f/2.8 L IS USM from Canon is also characterized by its bright f/2.8 constant maximum aperture. This bright design enables working in available light conditions and also affords greater control over depth of field. The range of wide focal lengths suits working in a variety of situations, from landscape to documentary shooting, and this zoom is complemented by an advanced optical design that greatly reduces color fringing and distortion for high clarity and sharpness. An Air-Sphere coating has also been applied to reduce flare and ghosting for improved contrast and color fidelity when working in bright conditions.

Characterized by a revamped optical design, the EF 16-35mm f/2.8L III USM from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. Featuring a series of specialized elements, this lens utilizes a trio of aspherical elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity. Both SWC and ASC coatings have also been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy.

This impressive L-Series lens offers a telephoto zoom focal length for getting closer to faraway subjects. Canon’s lightest and shortest 70-200mm f/2.8 lens ever, the RF 70-200mm f/2.8 L IS USM is engineered to make traveling more comfortable, offering a compact and portable design that’s easy to pack and carry wherever you go.

Delivering an impressively wide field of view, the Sony E-mount Batis 18mm f/2.8 from ZEISS is an ultra-wide prime, well-suited to interior, architectural, landscape, and astrophotography applications. Within the Distagon optical design, this lens uses a series of aspherical and anomalous partial dispersion elements to greatly reduce color fringing, distortion, and other aberrations to realize sharp, clear, and color-accurate imagery. A floating elements system is also employed for consistent performance throughout the focusing range, and an enhanced ZEISS T* anti-reflective coating has been applied to reduce flare and ghosting for working in difficult lighting conditions.

Mixing advanced optics with contemporary performance, the Batis 135mm f/2.8 from ZEISS is a mid-length telephoto prime designed for full-frame Sony E-mount mirrorless cameras. Characterized as an apochromat, the Sonnar optical design, along with the use of eight anomalous partial dispersion elements, helps to effectively eliminate chromatic aberrations and color fringing for improved clarity and rendering. A floating elements system is also used, for consistent performance throughout the focusing range, in order to achieve even sharpness and illumination. 

Fast and compact, the Sony FE 35mm f/1.8 mixes a versatile wide-angle focal length with a bright design and a sleek form factor. As a wide-angle, this lens excels in a variety of situations, from street shooting to landscapes to travel, and the f/1.8 maximum aperture suits working in available lighting and benefits controlling depth of field.